Readings - The Ricksha Arts of Bangladesh





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Selected Bibliography

Note: This list consists mainly of printed materials found in libraries. Therefore, as preliminary assistance for different kinds of students in library searching, I offer the following citation:

Mann, Thomas
1998 THE OXFORD GUIDE TO LIBRARY RESEARCH. New York and Oxford: Oxford University Press.

Aarne, Antti (Translator); Stith Thompson (Translator)
1995 THE TYPES OF THE FOLKTALE : A CLASSIFICATION AND BIBLIOGRAPHY (FF Communications, No 184). Bloomington: Indiana University Press.

Adams, Robert and Rajeev Sethi, eds.
1986 ADITI: THE LIVING ARTS OF INDIA. Washington, D.C.: Smithsonian Institution Press.

Ahmad, Qeyamuddin
1994 THE WAHHABI MOVEMENT IN INDIA. New Delhi: Manohar Publishers.

Ahmed, A. F. Salahuddin
1994 BENGALI NATIONALISM AND THE EMERGENCE OF BANGLADESH : AN INTRODUCTORY OUTLINE. Dhaka, Bangladesh : International Centre
for Bengal Studies : Distributor, University Press Ltd..

Ahmed, Khaled
2000 Compulsory Beard, Banned Human Image, and Allah Instead of Khuda. THE FRIDAY TIMES, Vol XII:21, July 21-27, 2000, online edition.

Ahmed, Rafiuddin
1981 THE BENGAL MUSLIMS 1871-1906. A QUEST FOR IDENTITY. New Delhi: Oxford University Press.

Ahmed, Rafiuddin, ed.
1990 RELIGION, NATIONALISM AND POLITICS IN BANGLADESH. New Delhi: South Asian Publishers.

Ali, Salim.
1972 THE BOOK OF INDIAN BIRDS. 9th ed., rev. Bombay: Natural History Society.

Anspach, Mark Rogin
1991 When American Anthropologists Go "Postmodern". STANFORD FRENCH REVIEW 15:1-2: 81-102.

Archer, Mildred
1977 INDIAN POPULAR PAINTING IN THE INDIA OFFICE LIBRARY. London: Her Majesty's Stationery Office.

Archer, William C.
1962 KALIGHAT DRAWINGS. Bombay: Marg Publications.
1971 KALIGHAT PAINTINGS. London: Her Majesty's Stationery Office.

Arens, Jenneke and Jos van Beurden.
1977 JHAGRAPUR: POOR PEASANTS AND WOMEN IN A VILLAGE IN BANGLADESH. Birmingham, UK: Third World Publications.

Arnold, Sir I. W.
1965 PAINTINGS IN ISLAM: A STUDY OF THE PLACE OF PICTORIAL ART IN MUSLIM CULTURE. New York: Dover.

Atil, Esin
1981 KALILA WA DIMNA. FABLES FROM A FOURTEENTH-CENTURY ARABIC MANUSCRIPT. Washington, D.C.: Smithsonian Institution Press.

Babcock, Barbara A.
1992 Artifact. In, Richard Bauman, ed. FOLKLORE, CULTURAL PERFORMANCES AND POPULAR ENTERTAINMENTS. New York and Oxford: Oxford University Press.

Baer, Eva
1998 ISLAMIC ORNAMENT. New York: New York University Press.

Baron-Cohen, Simon
1995 MINDBLINDNESS: AN ESSAY ON AUTISM AND THEORY OF MIND. Cambridge, Mass.: MIT Press. (Ch. 7. The Language of the Eyes).

Barthes, Roland
1972 MYTHOLOGIES. New York: Hill & Wang.

Baumer, Rachel van M., ed.
1975 ASPECTS OF BENGALI HISTORY AND SOCIETY. Asian Studies at Hawaii, No.12. Honolulu: University Press of Hawaii.

Baxter, Craig and Syedur Rahman
1989. HISTORICAL DICTIONARY OF BANGLADESH. Metuchen, N.J. : Scarecrow Press.

Beach, Milo Cleveland and Ebba Koch
1997 KING OF THE WORLD: THE PADSHAHNAMA : an imperial Mughal manuscript from The Royal Library, Windsor; with new translations by Wheeler Thackston. London : Azimuth Editions. Distributed by Thames and Hudson.

Becker, Howard S.
1982 ART WORLDS. Berkeley: University of Californai Press.

Berger, John
1972 WAYS OF SEEING. London: BBC and Penguin Books.

Bertocci, Peter J.
1976 [See Stevens, et al.]
1980 Models of Solidarity, Structures of Power: The Politics of Community in Rural Bangladesh, in Myron J. Aronoff, ed., IDEOLOGY AND INTEREST: THE DIALECTICS OF POLITICS, Political Anthropology Yearbook I. pp.97-125. New Brunswick: Transaction Press.
1982 Bangladesh in the Early 1980s: Praetorian Politics in an Intermediate Regime. ASIAN SURVEY, vol.XXII:10, pp.988-1088.

Bhattacharjee, Binoy
1980 CULTURAL OSCILLATION (A STUDY ON PATUA CULTURE). Calcutta: Naya Prokash.

Blanc, Jean-Charles
1976 AFGHAN TRUCKS. New York: Stonehill Publishing Co.

Blank, Harrod
1993 WILD WHEELS. Petaluma, California: Pomegranate Artbooks.

Bloch, Emily K.
1991 A Genre Study of the Manasa Mangal. In, Clinton B. Seely, ed. CALCUTTA, BANGLADESH, AND BENGAL STUDIES. East Lansing: Michigan State University Press.

Bloom, Jonathan and Sheila Blair
1997 ISLAMIC ARTS. London: Phaidon Press, Ltd.

Borders, W.
1976 Ricksha-Wallahs in Bangladesh: Tortuous Life at 5 Cents a Mile. NEW YORK TIMES, October 5.

Breckenridge, Carol A., ed.
1995 CONSUMING MODERNITY: PUBLIC CULTURE IN A SOUTH ASIAN WORLD. Minneapolis: University of Minnesota Press.

Brereton, Bonnie Pacala
1995 THAI TELLINGS OF PHRA MALAI: TEXTS AND RITUALS CONCERNING A POPULAR BUDDHIST SAINT. Tempe, Arizona: Arizona State
University Program for Southeast Asian Studies.

Brown, Percy.
1968 INDIAN ARCHITECTURE. (ISLAMIC PERIOD). Bombay: Taraporevala Sons & Co., Pvt. Ltd. 5th ed.

Bundgaard, Helle
1999 INDIAN ART WORLDS IN CONTENTION: LOCAL, REGIONAL AND NATIONAL DISCOURSES ON ORISSAN PATTA PAINTINGS. Surrey: Curzon.

Burke, Kenneth
1962 A GRAMMAR OF MOTIVES AND A RHETORIC OF MOTIVES. Berkeley: University of California Press.

Capito, Giuseppe
1979 IL CARRETTO SICILIANO. Palermo: Sellerio, 1979.

Caplan, Lionel.
1987 STUDIES IN RELIGIOUS FUNDAMENTALISM. Oxford: Macmillan.

Capwell, Charles
1986 THE MUSIC OF THE BAULS OF BENGAL. Kent [Ohio] : Kent State University Press.

Centlivres, Pierre and Micheline Centlivres-Demont
1997 IMAGERIES POPULAIRES EN ISLAM. Paris: Georg Editeur.

Centlivres-Demont, Micheline
1976 POPULAR ART IN AFGHANISTAN. Graz: Akademisch Druk.

Chaudhuri, Asad
1979 Abdul Mia Chitrakarma. ROBBAR 2:18, 42-45 (December).

Chelkowski, Peter
1989 Narrative Painting and Recitation in Qajar Iran. In, Oleg Grabar, ed. MUQARNAS. AN ANNUAL ON ISLAMIC ART AND ARCHITECTURE.
vol.6:98-111.

Chowdhury, Kabir
1978 Theatre Arts in Bangladesh. JOURNAL OF THE INSTITUTE OF BANGLADESH STUDIES, vol. III, pp.115-130.

Claridge, Elizabeth
1977 Truck Art (of Afghanistan). LONDON MAGAZINE, August-September, pp 89-94.

Clifford, James
1998 THE PREDICAMENT OF CULTURE : TWENTIETH-CENTURY ETHNOGRAPHY, LITERATURE AND ART. Cambridge, Mass.: Harvard University Press.

Darmon, Reed and Kalim Winata
1999 MADE IN CHINA. 2000 ENGAGEMENT CALENDAR. San Francisco: Chronicle Books.

Das, Jibanananda
1968 RUPASI BANGLA [Bengal the Beautiful]. 4th ed. Calcutta: Signet Press.

Dawson, Barry
1999 SREET GRAPHICS INDIA. London and New York: Thames and Hudson.

Dehejia, Vidya
1990 On Modes of Visual Narration in Early Buddhist Art. THE ART BULLETIN, vol LXXII:3, September, pp. 239-257.

Dehejia, Vidya, ed.
1997 REPRESENTING THE BODY: GENDER ISSUES IN INDIA'S ART. New Delhi: Kali for Women.

Dey, Amit.
1999 THE IMAGE OF THE PROPHET (MUHAMMAD) IN BENGALI MUSLIM PIETY, 1850-1947. Doctoral dissertation, London University.

Dimock, Edward C., Jr.
1989 THE PLACE OF THE HIDDEN MOON: EROTIC MYSTICISM IN THE VAISNAVA-SAHAJIYA CULT OF BENGAL. Chicago: University of Chicago Press.

Dirks, Nicholas B.
1994 Guiltless Spoliations: Picturesque Beauty, Colonial Knowledge, and
Colin Mackenzie's Survey of India. In, Catherine B. Asher and Thomas R. Metcalfe, eds. PERCEPTIONS OF SOUTH ASIA'S VISUAL PAST. New Delhi, etc.: Oxford and IBH Publishing Col. Pvt. Ltd.

Doshi, Saryu
1985 MASTERPIECES OF JAIN PAINTING. Bombay: Marg Publications.

Dresch, Paul, Wendy James, and David Parkin, eds.
2000 ANTHROPOLOGISTS IN A WIDER WORLD : ESSAYS ON FIELD RESEARCH. New York : Berghahn Books.

Dundes, Alan, ed.
1992 THE EVIL EYE : A CASEBOOK. Madison, Wis. : University of Wisconsin Press.

Dutta, G. S.
1932 The Tiger God in Bengal Art. MODERN REVIEW 52:4 (November).
1933 Indigenous Painters of Bengal. JOURNAL OF THE INDIAN SOCIETY OF ORIENTAL ART 1(1) (June):18-25.

Eaton, Richard M.
1993 THE RISE OF ISLAM AND THE BENGAL FRONTIER, 1204-1760. Berkeley: University of California Press.

Eck, Diana L.
1996 DARSHAN, SEEING THE DIVINE IMAGE IN INDIA. 2nd rev. and enl. ed.
New York: Columbia University Press.

Eibl-Eibesfeldt, Irenaus.
1974 LOVE AND HATE. THE NATURAL HISTORY OF BEHAVIOR PATTERNS.
New York: Schocken Books.

Ekman, Paul
1972 DARWIN AND FACIAL EXPRESSION. A CENTURY OF RESEARCH IN REVIEW. New York: Academic Press.

Engineer, Asghar Ali
1992 THE RIGHTS OF WOMEN IN ISLAM. New Delhi: Sterling Publishers Private Ltd..

Ettinghausen, Richard and Oleg Grabar
1987 THE ART AND ARCHITECTURE OF ISLAM. 650-1250. New Haven and London: Yale University Press.

Fabian, Johannes
1996 REMEMBERING THE PRESENT. PAINTING AND POPULAR HISTORY IN ZAIRE. Berkeley: University of California Press.
1998 MOMENTS OF FREEDOM: ANTHROPOLOGY AND POPULAR CULTURE.
Charlottesville and London: University Press of Virginia.

Fernandez, James W.
1986 PERSUASIONS AND PERFORMANCES : The Play of Tropes in Culture. Bloomington: Indiana University Press.

Fernandez, James W., ed.
1991 Beyond Metaphor : The Theory of Tropes in Anthropology. Stanford, Calif.: Stanford University Press.

Fernandez, James W. and Mary Taylor Huber, eds.
2001 Irony in Action : Anthropology, Practice, and the Moral Imagination. Chicago: University of Chicago Press.

Fisher, M. and M. Abedi.
1990 DEBATING MUSLIMS. CULTURAL DIALOGUES IN POST MODERNITY AND TRADITION. Madison: University of Wisconsin Press.

Ford, Alice
1985 EDWARD HICKS, HIS LIFE AND ART. New York: Abbeville Press.

Freedberg, David
1989 THE POWER OF IMAGES. STUDIES IN THE HISTORY AND THEORY OF RESPONSE. Chicago: University of Chicago Press.

Fried, Michael
1980 ABSORPTION AND THEATRICALITY. PAINTING AND BEHOLDER IN THE AGE OF DIDEROT. Berkeley: University of California Press.

Fukuoka Art Museum
1994 RICKSHAW PAINTING. TRAFFIC ART IN BANGLADESH. Guest curator Shireen Akbar. Catalog of 4th Asian Art Show, 10 September to 16 October. Fukuoka, Japan.

Gallagher, Rob
1992 THE RICKSHAWS OF BANGLADESH. Dhaka: University Press Ltd.

Gardner, Katy
1991 SONGS AT THE RIVER'S EDGE. STORIES FROM A BANGLADESH VILLAGE. London: Virago.
1995 GLOBAL MIGRANTS, LOCAL LIVES. TRAVEL AND TRANSFORMATION IN RURAL BANGLADESH. New York: Oxford University Press.

Geertz, Clifford
1977 From the Native's Point of View: On the Nature of Anthropological Understanding. In, Janet L. Dolgin et al, eds. SYMBOLIC ANTHROPOLOGY. New York: Columbia University Press.

Glassie, Henry
1973 Structure and Function, Folklore and the Artifact. SEMIOTICA 7: 313-351.
1997 ART AND LIFE IN BANGLADESH. Bloomington: Indiana University Press.

Glassie, Henry and Firoz Mahmud
2000 CONTEMPORARY TRADITIONAL ART OF BANGLADESH. Catalog of exhibition. Dhaka: Bangladesh National Museum.

Golde, Peggy, ed.
1986 WOMEN IN THE FIELD : ANTHROPOLOGICAL EXPERIENCES. 2nd ed., expanded and updated. Berkeley: University of California Press.

Grabar, Oleg
1977 Islam and Iconoclasm. in, PAPERS. NINTH SPRING SYMPOSIUM OF BYZANTINE STUDIES. Burmingham, England: Centre for Byzantine Studies. University of Birmingham. March.

Graves, Robert and Omar Ali Shah
1968 THE ORIGINAL RUBAIYYAT OF OMAR KHAYYAM. New York: Doubleday.

Grothues, Juergen
1990 AUTOMOBILE KUNST IN PAKISTAN. Germany: Schrader (S)Verlag.

Grube, Ernst J.
1991 A MIRROR FOR PRINCES FROM INDIA. ILLUSTRATED VERSIONS OF THE KALILAH WA DIMNA, [etc.]. Bombay: Marg Publications.

Guha, Ranajit, ed.
1998 A SUBALTERN STUDIES READER: 1986-1995. Minneapolis: University of Minnesota Press.

Hadjinicolaou, N.
1978 ART HISTORY AND CLASS STRUGGLE. London: Pluto Press.

Haertel, Herbert and Marianne Yaldiz.
1982 ALONG THE ANCIENT SILK ROUTES. CENTRAL ASIAN ART FROM THE WEST BERLIN STATE MUSEUMS, Exhibition Catalogue. New York: Metropolitan Museum of Art.

Haggard, Stephen
1988 Mass Media and the Visual Arts in Twentieth Century South Asia. Indian Film Posters 1947-Present. SVA NEWSLETTER (The Society for Visual Anthropology) 4,2 (Fall): 26-34.

Hansen, Waldemar
1981 THE PEACOCK THRONE; THE DRAMA OF MOGUL INDIA. Delhi: Motilal Banarsidas. (1st Indian Reprint edition).

Harle, J.C. and Andrew Topsfield
1987 INDIAN ART IN THE ASHMOLEAN MUSEUM. Oxford: Ashmolean Museum.

Hart, George
2001 personal communication, email 28 Nov.

Hartman, Betsy and James K. Boyce
1984 A QUIET VIOLENCE. VIEW FROM A BANGLADESH VILLAGE. London: Zed Books.

Hashmi, T.
1994 Islam in Bangladesh Politics. In H. Mutalib and T. Hashmi, eds. ISLAM, MUSLIMS AND THE MODERN STATE . New York: St. Martin's
Press, Inc.

Hillenbrand, Robert
1999 ISLAMIC ART AND ARCHITECTURE. New York: Thames and Hudson.

Hood, Clifton.
1993 722 MILES: THE BUILDING OF THE SUBWAYS AND HOW THEY TRANSFORMED NEW YORK. Baltimore/London: Johns Hopkins University Press.

Hsu, Francis L. K.
1948 UNDER THE ANCESTORS SHADOW. New York: Columbia University Press.

Ienaga, Saburo
1973 PAINTING IN THE YAMATO STYLE. trans. John M. Shields.New York and Tokyo: Weatherhill/Heibonsha.

Inglis, Stephen R.
1995 Suitable for Framing: The Work of a Modern Master. In, Lawrence A. Babb and Susan Wadley, eds. MEDIA AND THE TRANSFORMATION OF RELIGION IN SOUTH ASIA. Philadelphia: University of Pennsylvania Press.

Islam, Syed Manzoorul
1987 Art in Bengal. In, S.M. SULTAN AND HIS PAINTINGS. Souvenir on the occasion of S.M. Sultan exhibition. Dhaka: German Cultural Institute, January.

Jahan, Roushan
1994 HIDDEN DANGER : WOMEN AND FAMILY VIOLENCE IN BANGLADESH. Dhaka : Women for Women.

Jahan, Raushan, ed and trans.
1981 INSIDE SECLUSION: THE AVARODHBASINI OF ROKEYA SAKHAWAT HOSSAIN. Dacca[Dhaka]: Women For Women.

Jain, Jyotindra
1998 PICTURE SHOWMEN: INSIGHTS INTO THE NARRATIVE TRADITION IN INDIAN ART. Mumbai [Bombay]: Marg Publications.

James, Gerald, et al. [Co-authors Pratapaditya Pal and H. Daniel Smith]
1997 CHANGING MYTHS AND IMAGES. TWENTIETH CENTURY POPULAR ART IN INDIA. Exhibit catalog. Bloomington: Indiana University Art Museum.

Jansen, Erik G.
1987 RURAL BANGLADESH: COMPETITION FOR SCARCE RESOURCES. Dhaka: University Press Ltd.

Kabir, Alamgir
1979 FILM IN BANGLADESH. Dhaka: Bangla Academy.

Kakar, Sudhir
1990 INTIMATE RELATIONS. EXPLORING INDIAN SEXUALITY. Chicago: University of Chicago Press.
1996 THE COLORS OF VIOLENCE. CULTURAL IDENTITIES, RELIGION AND CONFLICT. Chicago and London: University of Chicago Press.

Kenoyer, Jonathan Mark
1998 ANCIENT CITIES OF THE INDUS VALLEY CIVILIZATION. Karachi : Oxford University Press ; Islamabad : American Institute of Pakistan Studies.

Khan, Mazhar-ul-Haq
1972 PURDAH AND POLYGAMY; A STUDY IN THE SOCIAL PATHOLOGY OF THE MUSLIM SOCIETY. [1st ed.] Peshawar Cantt., Nashiran-e-Ilm-o-Taraqiyet.

Khan, Shamsuzzaman, ed.
1987 FOLKLORE OF BANGLADESH. vol.1. Dhaka: Bangla Academy.

Khanna, Balraj
1993 KALIGHAT. INDIAN POPULAR PAINTING 1800-1930. Boston: Shambhala. Redstone Editions.

Kirby, Michael
1982 Non-semiotic Performance. MODERN DRAMA 25:1, March: pp105-111.

Kirkpatrick, Joanna
1979 Themes of Consciousness Among Some Educated Working Women of Bangladesh. In, Richard L. Park, ed. PATTERNS OF CHANGE IN MODERN BENGAL. E. Lansing: Michigan State University Press.
1980 THE SOCIOLOGY OF AN INDIAN HOSPITAL WARD. Columbia, Mo.: South Asia Books.
1984 Ricksha Art As Culture Theater. STUDIES IN VISUAL COMMUNICATION 10:3, Summer, 73-85.
1984 Motive and Metaphor in Bangladesh Ricksha Art. In, Joseph T. O'Connell, ed. BENGAL VAISNAVISM, ORIENTALISM, SOCIETY AND THE ARTS. E. Lansing: Michigan State University Press.
1989 Reflections on Popular Art and Culture in Bangladesh Today: The Persistence of Graven Images. In, Tony K Stewart, ed. SHAPING BENGALI WORLDS, PUBLIC AND PRIVATE, E. Lansing: Michigan State University Press.
1990 Bangladesher Ricksha...., APNAR JANNEY KHABOR [News For You]. USIS [Dhaka] news magazine, Jan-Mar., pp.2-4. (In Bangla)
1994 Transports of Delight (article on Bangladesh ricksha art with color illustrations), ARAMCO WORLD, Jan-Feb: pp32-35 and 41.
1999 Review of Glassie: Art and Life in Bangladesh. AMERICAN ANTHROPOLOGIST, 101:3, September.
2000, 2001 THE RICKSHA ARTS OF BANGLADESH: website, including photo images and texts. http://www.ricksha.org
2003 TRANSPORTS OF DELIGHT. THE RICKSHA ARTS OF BANGLADESH. Indiana University Press.
Multimedia, interactive CD-ROM.

Klaiman, M.H.
1983 Vanamali as Forest Gardener. In, Ray Langsten, ed. RESEARCH ON BENGAL: PROCEEDINGS OF THE 1981 BENGAL STUDIES CONFERENCE. East Lansing: Michigan State University Press.

Knapp, Ronald G.
1999 CHINA'S LIVING HOUSES. FOLK BELIEFS, SYMBOLS, AND HOUSEHOLD ORNAMENTATION. Honolulu: University of Hawaii Press. (Ch.7: Fu -- Good fortune -- and its Components.)

Kopf, David
1969 BRITISH ORIENTALISM AND THE BENGAL RENAISSANCE. Berkeley, University of California Press.
1978 Hermeneutics versus History. JOURNAL OF ASIAN STUDIES, vol.XXXIX, 3: 495-506. (Review article, E.W. Said's ORIENTALISM.)
1979 THE BRAHMO SAMAJ AND THE SHAPING OF THE MODERN INDIAN MIND. Princeton: Princeton University Press.
1979a "Pakistani Identity and the Historiography of Muslim Bengal." In
PATTERNS OF CHANGE IN MODERN BENGAL, edited by Richard L. Park.
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Korom, Frank J.
1996 Recycling in India: Status and Economic Realities. In, Charlene Cerny and Suzanne Sheriff, eds. RECYCLED RE-SEEN: FOLK ART FROM THE GLOBAL SCRAP HEAP. (exhibition catalog). New York: Henry N. Abrams, Inc.

Kuehnel, Ernst
1971 THE MINOR ARTS OF ISLAM. trans. Katherine Watson. Ithaca, N.Y.: Cornell University Press.

Lal, Jayati
1996 Situating Locations: The Politics of Self, Identity, and the "Other" in Living and Writing the Text. In, Diane L. Wolf, ed. FEMINIST DILEMMAS IN FIELDWORK. Boulder, CO: Westview Press.

Lasnier, France, ed.
1999 DIRECTORY ON RICKSHAW & BABY-TAXI PAINTERS. Dhaka: Alliance Francaise de Dhaka.

Levi-Strauss, Claude
1966 THE SAVAGE MIND. Chicago: University of Chicago Press.

Lutz, Caroline A. and Jane L.Collins
1993 READING NATIONAL GEOGRAPHIC. Chicago: University of Chicago Press.

Lyons, Tryna
1997 Women Artists of the Nathadwara School. In, Vidya Dehejia, ed., REPRESENTING THE BODY: GENDER ISSUES IN INDIA'S ART. New Delhi: Kali for Women.
2003 Folk Painting, and Painted God-boxes. In, SOUTH ASIAN FOLKLORE: AN ENCYCLOPEDIA . Taylor & Francis, Inc.

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1988 PAINTING AND PERFORMANCE : CHINESE PICTURE RECITATION AND ITS INDIAN GENESIS. Honolulu: University of Hawaii Press.

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1966 HISTORICAL STUDIES IN THE CULT OF THE GODDESS MANASA: A SOCIO-CULTURAL STUDY. Foreward by A.L. Basham. Calcutta: Punthi Pustak.

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1970 SOCIETY IN INDIA, 2 v. Berkeley: University of California Press.

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1979 THE DEMOCRATIC ART. CHROMOLITHOGRAPHY 1840-1900. PICTURES FOR A 19TH-CENTURY AMERICA. Boston: David R. Godine.

Maslenitsyna, S.
1975 PERSIAN ART IN THE COLLECTION OF THE MUSEUM OF ORIENTAL ART. Leningrad: Aurora Art Publishers.

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1972 PURDAH AND THE STATUS OF WOMAN IN ISLAM. Translated and edited
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1996 WOMEN'S REBELLION AND ISLAMIC MEMORY. London and New Jersey: Zed Books.

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1983 BRICK TEMPLES OF BENGAL. FROM THE ARCHIVES OF DAVID McCUTCHION. Princeton, NJ: Princeton University Press.

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1982 Baba Taraknath: A Case of Continuity and Development in the Folk Tradition of West Bengal, India. ASIAN FOLKLORE STUDIES 41:67-81.

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1998 The Wheels That Make Dhaka Go Around. ORBIT, Issue 70, 3d quarter, pp.6-7. [Volunteer Service Organization (VSO), in-house magazine.]

Mueller, Hans-Peter
1976 Rickshafahrer in Bangladesh. Eine Quantitative Studie ueber Bilder und Weltbilder. ETHNOLOGISCHE ZEITSCHRIFT, 1:51-124: Zurich.

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1985 Visual Pleasure and Narrative Cinema, reprinted in Bill Nichols, ed. MOVIES AND METHODS, Vol.2. Berkeley and Los Angeles: University of California Press.

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Nasreen, Gitiara
1995 BANGLADESHI WOMEN AND THE POLITICS OF RELIGION. Office for Women's Research, University of Hawaii. Student Working Papers Series, I. Essay online at http://www2.soc.hawaii.edu/css/dept/owr/Gitiara.html

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2000 Online newspaper. 4:112, Jan 22.

Novak, James J.
1993 BANGLADESH. REFLECTIONS ON THE WATER. Bloomington: Indiana University Press.

Nuseibeh, Said and Oleg Grabar.
1996 THE DOME OF THE ROCK. New York: Rizzoli International Publications.

O'Flaherty, Wendy Doniger
1980 WOMEN, ANDROGYNES, AND OTHER MYTHICAL BEASTS. Chicago : University of Chicago Press.

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1992 ART ON WHEELS. Lahore, Pakistan: Ferozesons (Pvt.) Ltd.

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1981 SHI'ISM AND LATE IRANIAN ARTS. Ph.D. dissertation, New York University.

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1989 HAVELI. WOODEN HOUSES AND MANSIONS OF GUJARAT.
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1989 PRIMITIVE ART IN CIVILIZED PLACES. Chicago: University of Chicago Press.

Purdy, Susan S.
1975 Modernization Dooms Pedicab Art in Jakarta. ASIA BULLETIN 2(4):5.

Rabbat, Nasser
1999 Personal communication on hadith. Email, 28 Aug.
.
Rahman, Novita.
2000 AFP dispatch. Sheet Bangla [name of village], 5/11.

Rashiduzzaman, M.
1994 The liberals and the religious right in Bangladesh. ASIAN SURVEY 34: 974-990.

Rich, George W., and S. Khan
1980 Bedford Painting in Pakistan. The Aesthetics and Organization of an Artisan Trade. JOURNAL OF AMERICAN FOLKLORE Vol. 93, # 369:257-295, July-September.

Rossi, Barbara
1998 FROM THE OCEAN OF PAINTING. INDIA'S POPULAR PAINTINGS, 1589 TO THE PRESENT. Oxford: Oxford University Press.

Roy, Asim
1983 THE ISLAMIC SYNCRETISTIC TRADITION IN BENGAL.
Princeton, N.J.: Princeton University Press.
1996 ISLAM IN SOUTH ASIA: A REGIONAL PERSPECTIVE. New Dehi: South Asian Publishers.

Said, Edward W.
1979 ORIENTALISM. New York: Vintage Books.
1989 Representing the Colonized: Anthropology's Interlocutors. CRITICAL INQUIRY, 15:2, Winter.

Saiyeda Khatun.
1995 THE QUESTION OF GENDER AND REPRESENTATION IN BANGLADESHI LITERATURE. Essay online at
http://www.lib.uchicago.edu/e/su/southasia/Saiyeda.html
1999 A Site of Subaltern Articulation: The Ecstatic Female Body in the Contemporary Bangladeshi Novels of Taslima Nasrin. In, GENDERS 30. Online journal at http://www.genders.org/g30/g30_khatun.html

Salmons, Jill
1977 Mammy Wata. AFRICAN ARTS 10(3):8-15, 88.

Salomon, Carol.
1991 The Cosmogonic Riddles of Lalon Fakir. In Appadurai, Arjun, Frank J. Korom, and Margaret A. Mills, eds. GENDER, GENRE, AND POWER IN SOUTH ASIAN EXPRESSIVE TRADITIONS. Philadelphia: University of Pennsylvania Press.
1995 Baul Songs. In, Donald S. Lopez, Jr., ed. RELIGIONS OF INDIA IN PRACTICE. Princeton: Princeton University Press.

Sarker, Profulla Chandra
1977 Caste and Occupational Mobility in a Village of Bangladesh. JOURNAL OF THE INSTITUTE OF BANGLADESH STUDIES, VOL.II, pp. 163-172.

Sarma, Visnu
1993 THE PANCATANTRA. Chandra Rajan, trans. New Delhi: Penguin Books India.

Schmid, Anna
1995 PAKISTAN EXPRESS:DIE FLIEGENDEN PFERDE VOM INDUS. Germany: Doelling und Galitz. [Catalog of an exhibition of Pakistan truck art in Hamburg's Museum of Ethnology, 13 December 1995 to 30 June 1996.]

Seguy, Marie-Rose.
1977 THE MIRACULOUS JOURNEY OF MAHOMET. MIRAJ NAMEH. New York: George Braziller.

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